It is terrifying even in the quiet moments; it is most terrifying in the quietest moments.
National Bird, a new documentary by filmmaker Sonia Kennebeck, co-produced with Errol Morris and Wim Wenders, is a deep, multilayered, look into America’s drone wars, a tactic which became a strategy which became a post-9/11 policy. To many in Iraq, Afghanistan and throughout the world, America’s new national symbol is not the bald eagle, but a gray shadow overhead armed with Hellfire missiles.
The Silence
Scattered throughout the documentary are silent images from drones and aerial cameras, sweeping, hypnotic vistas taken from above both Afghan villages and American suburbs. The message could not be more clear: the tools used over there can just as easily be used over here, not merely for surveillance (as is already happening in America) but perhaps one day soon to send violence down from the sky. Violence sudden, sharp, complete and anonymous.
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